Jamie, a finalist in Canberra’s Kaleidoscope III exhibition, is known for his vibrant and quirky paintings and sculptures that often carry a social or political message. With a background in photography, illustration, and graphic design, Jamie’s work speaks to the power of art to challenge, inspire, and delight, all while celebrating the vibrant, multifaceted communities that shape his world.
When asked how he chooses which political or social issues to explore, Cole explains that his work is rooted in his everyday experiences.
“It comes from the world around me, my interactions in the community, what I read and observe, basically what affects me and those I love,” he says. His goal is to deliver messages subtly.
“I often use humour, sarcasm, bold & bright colours, and relatable imagery. This allows the message to quietly come to the viewer and is much more effective than shoving it in their face.”
Cole's love for Pop Art is evident in his work, drawing inspiration from iconic figures like Andy Warhol and Roy Lichtenstein. “I loved that artists like Warhol and Lichtenstein were making work that was instantly recognizable and reflected many of my Favorite popular culture icons,”
Cole shared. His attraction to the genre grew when he encountered Keith Haring's politically charged art during the AIDS crisis. “As a young gay man growing up in Sydney, I got swept up with Haring’s involvement with ACT UP and his passion for social and political change.”
Despite this, Cole resists being labelled as a "queer artist." He explains,
“I don’t consider myself a queer artist. I’m an artist that happens to be gay. Consequently, as a gay man, my work often has a gay man’s gaze.”
The natural beauty of Far North Queensland has also played a significant role in shaping Cole’s work. “I have just completed a series that tells the story of our move here from the south coast of NSW and the beauty, as well as the often-dangerous flora and fauna of this unique part of the world.”
His surroundings inspire not only the subjects of his paintings but also the materials he uses, creating a strong connection between his environment and his art.
Cole’s use of mixed media, including acrylic, aerosol, and collage, allows him to add depth and complexity to his art. “My work is very busy, much like what’s going on in my head.”
By layering different techniques, Cole hides cultural references and infuses his storytelling with more nuance. This approach reflects his background in photography, illustration, and graphic design, which has become a crucial foundation for his urban pop creations.
Humour is also central to Cole’s work. His playful energy draws viewers in, making his pieces both relatable and thought-provoking.
“Humour helps me to tell my stories. Sometimes my work has confronting subject matter which I love to dress up with colourful cartoon-like characters,” Cole explains and is unafraid to admit that he’s “not shy of a hot male nude.”
Cole’s work has garnered national attention. Recently, he was shortlisted for a major national art prize in the Sustainability section of the National Contemporary Art Prize. His nominated piece celebrated Queensland’s iconic banana carts, blending Warhol’s famous banana with the Blues Brothers and Bananas in Pyjamas, in what Cole describes as “a party for the planet.”
As he prepares to exhibit at Kaleidoscope III at the Belconnen Arts Centre, Cole is excited to be part of a platform that amplifies LGBTQI+, Brotherboy, and Sistergirl voices.
“My painting Visibility in the Tropics celebrates the growing LGBTQI+ community in Far North Queensland,” he shares, revealing that the work is inspired by the hedonistic, poolside lifestyle of his new home.
While Visibility in the Tropics will be on display, Cole hints that his other piece in the show will surprise viewers. “I think you might have a fresh opinion of me afterwards. Enjoy!”
Jamie Cole’s work speaks to the power of art to challenge, inspire, and delight, all while celebrating the vibrant, multifaceted communities that shape his world.
Kaleidoscope III
Generator Gallery, Belconnen Arts Centre
Opening: 6pm Friday 18 October 2024
Exhibition: 18 October – 1 December 2024
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